Nathalie Bachand is an independent curator interested in digital issues and in the challenges and conditions of its emergence in contemporary art. Her exhibitions have been presented in Quebec and Europe. The exhibition "The Dead Web—The End" was circulated by Molior at the Ludwig Museum in Budapest, the Mapping Festival in Geneva, and the Mirage Festival in Lyon. More recently, her exhibition "DataffectS" was presented at Galerie de l’UQAM (2022); she co-curated with Sarah Ève Tousignant the twelfth edition of the SIGHT+SOUND festival under the theme "Dancing While Waiting (for the End of the World)", organized by Eastern Bloc (2022); and her exhibition of virtual reality works "New Surroundings: Approaching the Untouchable", produced by Molior, was presented at Livart (2023) and the Biennial of Digital Imaginaries – Chroniques in Marseille (2024), in addition to being part of a Quebec tour (2024–26). She is the Director of Digital Arts Development at Sporobole, where she also serves as a curator. For more than fifteen years, she has written regularly on media and digital art for journals, monographs, and exhibition catalogues.